Table of Contents

Gay and Lesbian Theme


Views and Mechanics
Publisher's Note
Editor's Note
Review of This Is Not For You
Review of Potato Queen
Crossword
(Solution Posted in March. Printable version in pdf format of journal.)
Creative Nonfiction
Tunis, Forever
By John Champagne
Bisexuality 101
By Evelyn McFarland
Poetry
Blackouts
By Steve Rydman
Self Loathing
By Steve Rydman
A Boy Reads YM
By Steve Rydman
I Finally Found Me
By Lucretia Randle
Acorn Boy Above the Conclave
By James Penha
Fiction
As If In Time Of War (1985)
By Christopher T. Leland
General Works
Creative Nonfiction
Stone Musings #5
By Mike Munsil
Ascent Into Being
By Holly Mitchell
Fiction
Come Winter
By Sandra M. McDow
The End of Stories
By Sonia Vora
Coal Blood
By Tom Bennitt
About the Contributors

© 2006, River Walk Journal and respective authors and artists. All rights reserved. Do not use or reproduce without permission.

River Walk Journal, Inc.
Board of Directors

Chairman - Elizabeth Ross
Vice Chairman - Joseph Koch
Secretary/Treasurer - Geri Stock-Ross
Editorial Director - Patti Kurtz, DA
Literacy Director - Bill Mausteller
Policy Director - vacant
Advisory Board
Chairman - Patti Kurtz, DA
Asst. Chairman - Dan Lachenman, PhD
Samuel Hazo
Christopher Leland
Edwin Yoder
Joseph Bathanti
Journal Staff
Publisher - Elizabeth Ross
Editor-In-Chief - Joseph Koch
Sen. Fiction Editor - Patti Kurtz
Sen. Poetry Editor - Neeldhara Misra
Sen. Creative Nonfiction Editor - Brenda Coxe
Contributing Editor - Robert Dittman
Publicity Director (PA) - Geri Stock-Ross

For information about submissions, visit http://www.riverwalkjournal.org/submission.html.

Questions about promotions, subscribers' services, and advertising should be sent to publisher@riverwalkjournal.org.

River Walk Journal, Inc. is a non-profit corporation run entirely by volunteers. For information about volunteer opportunities and internships, visit http://www.riverwalkjournal.org/volunteer.html.

Editor's Note

Welcome to River Walk Journal's January/Feburary "Gay and Lesbian" issue.

Our readers may wonder about the differences between this issue and our previous ones. Gay, lesbian, and bisexual lifestyles are very personal, and sometimes controversial. It was decided that the writings in this issue should be separated into themed and non-themed groups. We do not want readers to think that authors are gay/lesbian/bisexual when they are not, and we wanted to offer material for readers who have no interest in these lifestyles.

The journal has the pleasure of re-printing Christopher Leland's "As if in Time of War". This piece was originally printed in our first issue.

The rest of our fiction for this issue is non-themed. We have Sandra M. McDow's "Come Winter" - a story that explores the internal landscape of an elderly woman. Sonia Vora's "The End of Stories" is a bit surreal, but is worth the trip. Tom Bennitt's story "Coal Blood" reminds me of home. Where I grew up, coal mining, lumber, and farming were the main ways people earned a living right up until my father's day.

Gay and bisexual themed poetry in this issue centers around three poets - Steve Rydman, James Penha, and Lucretia Randle. Mr. Rydman's poems - "A Boy Reads YM", "Blackouts" and "Self-Loathing" - are all quirky, unique and insightful. Mr. Penha's "Acorn Boy Above the Conclave" is an interesting take on DaVinci, the Church, and playful fantasy. Ms. Randle's "I Finally Found Me" is a bit more sober, but uplifting as well.

We have a nonfiction piece by Dr. John Champagne. "Tunis, Forever" is a nicely immersive travel piece where our protagonist has to deal with a foreign country, its convoluted culture, and his deep loneliness.

We have one on-theme essay in our creative nonfiction section from a new author, Evelyn McFarland. Ms. McFarland's narrative details her flamboyant coming out on campus. In our general literary offerings we have another installment of Mike Munsil's "Stone Musings," and Holly Mitchell's "Ascent into Being." Mr. Munsil's piece is another chapter from his earthen ponderings - contrasting well with Ms. Mitchell's more rarefied piece.

Joseph Koch