Table of Contents


Views and Mechanics
Publisher's Note
Editor's Note
Review of Bliss
Review of Atheist Manifesto
Review of The Stones Cry Out
Film review of "Karov La Bayit"
Creative Nonfiction
A Reverence for Words
By Virginia Hendry
For the Wife of Bath and the Wife of Yeats, I Give Thanks
By Sara J. Ford
Birth
By Clint Pearson
Poetry
Gong Fu
By Tim J. Brennan
Phases
By Tolu Ogunlesi
They Are Driving Their Cars Again, They Are Driving...
By Anne Cammon
Death of the Travelers
By Abigail Grant
Leaves
By Matt Gee
Fiction
The Wood Splitter
By Michael Phillips
Boogie & Sarah Leigh
By Sandra L. West
What Happened to Matt Dillon
By Chris Drangle
Red, Manhattan, 523
By Beth Hogan
Titanic Hat
By D.K. McGill
About the Contributors

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Review of Bliss
By O.Z. Livaneli
ISBN: 0-312-36053-3


Bliss is a member of that collection of stories that haunts readers long after the cover has been closed. O.Z. Livaneli takes readers on three eventually intersecting journeys through the Turkish countryside.

Although sometimes slow or halting, the stories of Meryem, Cemal, and The Professor show three sides of life in Turkish society. Meryem’s story of being orphaned at birth, victimized by incestuous rape, then becoming an outcast in her village illustrates the communal brainwashing often found in radical religious sects in rural Turkey. Her story intersects with her cousin Cemal’s, when he is given the task of ridding the village of her – the impure dishonor to their family. Cemal is emblematic of the soldier’s loss of innocence and soul. Istanbul’s nature of being neither of the East nor of the West – a city without a definite place in culture – is embodied in The Professor. His attempts to find his identity lead him to an unlikely partnership with Meryem and Cemal.

Livaneli creates three worldviews that on first glance could never coexist peacefully, even for a moment. Bliss offers readers the opportunity to understand even a little why Turkey is not an easily categorized country – the differences from Eastern to Western borders is so striking. Educators in contemporary affairs of Turkey, Muslim practices and traditions, and contemporary world literature will find this text useful. Creative writing instructors can make use of this text for examples of complex characterization, scenes and plot structure.